Public Auction is not a modern phenomenon, an age old system through which lands, goods and even human beings were placed as commodities of auction. It is an action through which sale of properties are made in public and perhaps the highest bidder takeaway the property. Private property might be sold in a public auction […]
Lord Ganesa as ‘the Lord of Ganas’ is beautifully captured by the Chola sculptors in Alanthuraiyar temple at Pullamangai. Pullamangai, at present known as Pasupathikoil is a small hamlet in Papanasam taluk of Thanjavur district and the village is credited with an elegant Early Chola temple dedicated to Lord Siva. Alanthuraiyar temple has a three […]
இன்னிசை வீணையில் இசைத்தோன் காண்க அன்னதொன் றவ்வயின் அறிந்தோன் காண்க Saint Manikkavasakar in the Thiruvandapaguthi extols Lord Siva as the concordant melody in the Vina and of its arcane virtue He alone is aware. Not only Saint Manikkavasakar, the other great Saiva saints also extols Lord Siva and His skill in strumming Vina in their hymns. The […]
The aditala of the vimana is crowned with hara. Being anarpita hara, the harmaya of the second tala is detached from the hara structure. The harmaya is cantoned by four brahmakantha pilasters representing the bhadra and the karna sections. The pilasters possess the capital ornamentation and the potikas resting above the pilasters are plain angular […]
Tiruchchennampoondi is a small hamlet in Budalur taluk in Thanjavur district and about 30kms from Tiruchirappalli and 36kms from the district headquarters Thanjavur. Tiruchchennampoondi is one among the villages situated in the land stretch between the rivers Cauvery and Kollidam. The northern and southern banks of river Cauvery till it reaches the sea is flooded […]
The main shrine of Jwarahareswara temple consists of vimana, mukha mandapa, a small mandapa, maha mandapa and porch. The vimana is raised on a large square plinth, ornamented as a upapitha. Further, it is also sectioned as bays and ledges on all side. In the prati series heavy pratimukhas are shown paired facing each other, […]
VESARA VIMANA Jwarahareswara temple mentioned as Suravattaramudaiya Nayanar temple in inscriptions lies in the car street of the historic town Kanchipuram. The temple is known for its unique architectural features, viz., the Vesara vimana, vimana and the mukha mandapa raised on a plinth, exclusively panjara adorned bhitti, perforated windows are remarkable to mention. Among the […]
THIRUNEDUNGALAM A beautiful assemblage of Saptamatrikas are found in the Nedungalanathar temple at Thirunedungalam in Tiruchirappalli district. Thirunedungalam, glorified by the Saiva saints in their hymns, is a huge two prakara complex with various shrines, mandapas and gopuras. The Goddess Mangalanayaki shrine is in the outer prakara of the complex. The temple is known for […]
SCULPTURES Narasingampettai Suyambunathaswami temple is rich in sculptures. Sculptures are found in the koshthas of vimana aditala and mukha mandapa, shrines in the thiruchurru, and also inside the maha mandapas. Besides, stucco figures are found in the superstructure of the Suyambunathaswami vimana and the goddess Lokanayaki vimana. Among the sculptures in this temple complex Surya […]
The Vimana of Suyambunathaswami shrine is ashtanga pure vesara vimana. Aditala of the vimana is stone edifice whereas superstructure is fully refurbished, nevertheless, carry the soul of the original framework. Adhishthana, bhitti, prastara forming the aditala; hara of the aditala, second tala, griva and sikhara forms the superstructure of the vimana. The diameter of the […]